Pangean Orchestra donates to Japan Relief Fund
The Pangean Orchestra and CD Baby are teaming up to raise money for disaster relief in Japan. Millions of people overwhelmed by the earthquakes and resulting tsunami remain desperately in need of our assistance, and people of goodwill are responding. With the ongoing crisis in Japan, help often arrives in many forms and in this case, total revenue for disaster relief in the form of free music is a trusted source for your donation.
The Red Cross Earthquake/Pacific Tsunami Fund will receive 100% of the direct proceeds from sales of a free mp3 single released by the Pangean Orchestra, which is based in Phoenix, Arizona. The director of the Pangean Orchestra is music professional Colin O’Donohoe, who leads the group of instrumentalist from nearly every continent.
Tinsagu Nu Hana – Japan Relief is the name of their free mp3 music. The sample I listened to on CD Baby is sung in Japanese by a tenor vocalist, and is comprised of upbeat contemporary instrumentals. Most importantly, your music purchase will make you feel great knowing you helped provide 100% direct funds for people who need our assistance during this ongoing crisis. Thanks to the Pangean Orchestra and CD Baby.
Visit CDBaby.com to sample/make your music purchase donation, and then visit the pangeanorchestra.com and donohoemusic.com. You can also read the interview I had with Colin on our pages dedicated to Colin O’Donohoe.
Billboard Chart Musicians; Blackmore’s Night
Blackmore’s Night newest release called Autumn Sky is a #1 Billboard Charting album off to a very strong start, especially when you consider Autumn Sky acquired the #1 position on the Billboard New Age Charts upon its debut in January, 2011. This legendary renaissance inspired New Age and Folk Rock touring band has a long history for producing top of the chart and award winning instrumental melodies over the course of many years, and there is no end in sight.
Ritchie Blackmore & Candice Night are the Grammy Nominated, award winning musicians that make up the core essence of Blackmore’s Night and 7 member troupe on Autumn Sky, who wear renaissance attire of centuries past while performing at concerts, fairs, and festival events.
Ritchie Blackmore is a legendary guitar player who has made progressive transitions in music having been a long standing band member of Deep Purple and then founder of the band Rainbow. Candice Night is an instrumentalist and the group’s songwriter, whose voice and lyrical point of view is one of enchantment while singing in the forefront on Blackmore’s Night albums.
Blackmore’s Night 2011 release Autumn Sky accentuates these elegant vocals delivered by Candice, along with both ancient and modern instrumental fanfare for which they are famous. Here you will find more traditional instruments of keyboards, violin, woodwinds, acoustic and electric guitars are melded with old-world instruments like hurdy-gurdy, chanters, mandolin, vintage percussions, and woodwinds.
The international success for Blackmore’s Night is not a fairy tale. The exclusive musical focus they have engraved for themselves has resulted in an enormous following in North America, South America, Europe and Japan. Their melodies have gained crossover prosperity by the enchanting lyrical vocals and fascinating instrumental music that often contains metrical structures dating back to the seventeenth century.
Blackmore’s Night prior album Secret Voyage is another recent achievement, likewise debuting at #1 on the Billboard New Age Chart where it remained for four consecutive weeks. In addition Secret Voyage continued to remain on Billboard’s Top 10 Chart for a remarkable 72 weeks. Secret Voyage is another great album with a more mystical feel. The song Rainbow Eyes, which is one of my favorites, is a fine version of an earlier cover song from the band Rainbow.
Charting on Billboard is a good way to measure the accomplishments of any group, but what makes Blackmore’s Night a true winner is their consistent ability to create transcending music which varies with every album they produce. This renaissance inspired band which transports progressive music into contemporary times is a model for success. Past, present and future.
Blackmore’s Night touring band consists of Ritchie Blackmore, Candice Night, Bard David of Larchmont, Gypsy Rose, Earl Grey of Chimay, Squire Malcolm of Lumley and Albert Danneman. Note; Blackmore’s Night has been listed in the top 10 on Billboard’s New Age chart for the past 8 consecutive weeks.
Visit blackmoresnight.com to sample / purchase or visit their Amazon.com page. Check the latest news and tour dates then visit candicenight.com for more info on this amazing group of musicians.
Cover art courtesy Jeff Pickett-Pickett Productions.
Blackmore's Night | 
Leave a commentZMR Award Winning Musicians in 2010
The Zone Music Reporter Music Award Winners for 2010 were announced on March 13, 2011. Many of the artists we write album reviews about or interview are category qualifiers, nominees, or chosen award winners in specific ZMR music categories. In our role as review publicists and interview hosts we often get to know many of the award candidates personally, so it is always good news when we hear exceptional artists get the recognition they deserve.
In fact, many New Age music qualifiers, nominees, and award winning musicians were recognized in our own NewAgeMusic.nu Best Album Awards in 2010. We take pride ourselves when writing about these commendable individuals, and we look forward to writing about many more top New Age music artists by a review or interview in the days ahead.
The ZMR Award Winning Musicians we feature are shown in the cover art shown below. You can click on the cover arts to visit the dedicated page for each artist featured on our pages. The award finalists we didn’t have a chance to write about this year are also included below. B.T. Fasmer and I would like to congratulate everyone! Place cursor over album cover art for award status.
Best New Artist – Another Place and Time by Heidi Anne Breyer.
Best Instrumental Album – Piano – Another Place and Time by Heidi Anne Breyer.
Best Vocal Album – The Grace of the Green Leaf by Lis Addison.
Best Neo – Classical Album – NightBook by Ludovico Einaudi
Best Electronic Album – The Crossing by David Helpling & Jon Jenkins.
Best Ambient Album – The Crossing by David Helpling & Jon Jenkins.
Best Cover Art – The Crossing by David Helpling & Jon Jenkins.
Visit zonemusicreporter.com to see the ZMR Music Award Winners for 2010.
Read B.T. Fasmer’s article; NewAgeMusic.nu Best Album Award Winners in 2010.
Big Stock Photo – Stuarthe
Live Video Chat with Yanni
Yanni-Wake Entertainment has a very special event just beginning, with a live video chat between Yanni and fans to climax this extraordinary event taking place in an aired-live forum on March 16th. The folks at yanni.com are currently collecting questions, and then posting them in new videos every day until the open forum on March 16th.
Wouldn’t you like to have the opportunity to ask your favorite music celebrity a personal question related to their music? According to yanni.com, people from across the globe are turning in their questions for Yanni’s personal reply at this very minute. In fact, there are still several days for you to send in your questions early before the main event is broadcast live!
This live video chat event from Yanni-Wake Entertainment will be hosted by the award-winning, American news anchor and media personality Lauren Sanchez. In addition to answering many fan questions, Yanni also plans to share details on his upcoming concert tour and new album, “Truth of Touch.” Here are the specific details;
Visit yanni.com or go directly to their news page for complete live chat details, and to see videos of questions in the days before March 16th.
On March 16 you can access the Live Video Chat webcast by clicking on this link; LiveStream.com/OfficialYanni or by clicking on our banner above. You can submit your questions early to: Ask@Yanni.com. The Live Video Chat will air at 1:00 pm (EDT) Eastern Daylight Time.
Banner courtesy yanni.com.
Live Concert on Electric Cello
Matthew Schoening is a professional cellist who caught my attention recently. I primarily became interested since his current release Elements (Live and Uncut) is presented as a solo concert recorded in front of a live audience. As it turned out the initial reason I became curious was less important to me after I listened to his Avant-Garde electric cello concert in front of a rather enthusiastic audience.
During his live concerts Matthew apparently does a touch of magic too since this one man cello concert ended up sounding more like a full orchestra of string instruments. In addition to cello, fine resonances of acoustic guitar, violin, double bass, and a variety of percussion rhythms are expertly produced. I also found his tenacity for perfecting his sounds on electric cello are equal to his fine technical skills of live looping and layering in real time. Because no other musicians are present during concerts, and his current release Elements was live and uncut, it greatly increased my admiration for Matthew Schoening.
Matthew is from a family of music professionals and enjoys free reign to pursue his music career, which has led to performance opportunities of several prestigious fundraising events. One significant fundraiser with Mark Steines of Entertainment Tonight was a charitable benefit designed to raise money for relief work in Sierra Leon, West Africa.
Elements by Matthew Schoening is his third Solo Cello release, and the earlier first and second albums; Solo Electric Cello & The Art of Live Looping are like Elements by the Avant-Garde style of cello Instrumentals. In fact, there is also a Cinematic influence in his work I feel shouldn’t be overlooked. Leap of Faith from The Art of Live Looping and then songs Air & Fire from Elements gave me this impression the most.
Elements (Live and Uncut) is a stage session before a live audience of 75 people, and it does create interest by an inherent uncut and recorded in one session format. The original electric cello innovations on Elements are 5 songs titled Water, Air, Fire, Earth, and Spirit, with clapping only at the beginning and end of the 45 minute session.
Matthew performs live concerts and he tours upon request, so if you have a group function or get-together coming up, find out the details at his website. The warm tonal setting and enhanced rhythms of his solo electric cello music is perfect for a wide variety of festive social occasions. In fact I would be interested to hear your group as the next enthusiastic attendees during a live concert venue with Matthew Schoening.
Visit soloelectriccello.com to sample / purchase or by going to his Amazon.com page.
Portrait & cover photos courtesy Greg Gorman.
Beautiful Piano & Instrumental Music
Kathryn Kaye is a talented pianist releasing her first piano and instrumental album. After learning every detail like her lifetime of music experience, the collaborating artists and production credits, I had a feeling her new release was going to be great. In fact Kathryn Kaye’s new release greatly exceeded my expectations since this album really goes the distance.
Dreaming Still is an Acoustic, Contemporary Instrumental, New Age release having many integral advantages, one being the importance of music in Kathryn Kaye’s life, which began with playing the piano at age four. She later attended college and began working toward a major in music, earning a performance degree with a double major in voice and keyboard. In addition to her strong educational background she pursued classical training while living in Germany, appearing on television in both the U.S. and Germany as a vocalist during concerts, recitals and operas.
Kathryn Kaye is a musician and songwriter presently residing in Colorado. The beautiful Rocky Mountains region and Appalachian mountain territories in Kentucky recalled from childhood are in part a focal point for this contemporary nature inspired release. Dreaming Still contains 14 songs she composed, half of which are Solo Piano, with the balance in piano and instrumental harmony support by violin, cello, bass and English horn.
The world-class musicians providing instrumentals with piano are commendable, and they are: Charlie Bisharat (violin) Eugene Friesen (cello) Dan Greenspan (bass) Jill Haley (English horn) Derrik Jordan (percussion) and Noah Wilding (vocal). Dreaming Still is a Will Ackerman production, with recording, mixing, and mastering by Corin Nelsen at Imaginary Road Studios. The assistance from these two Grammy Winning talents is a fine enhancement to her proficiency as a composing pianist.
Dreaming Still is a delightful album, and I was pleased to hear a wonderful cinematic touch at times. Waiting For The Rain with piano and cello, then a Solo Piano song August Light were my favorites, but this album is consistent and enjoyable throughout.
I believe Kathryn’s commitment and expertise in music has been vital to the level of quality on her first album, and her choice of music artists was first-class. In contrast to the vast expanse of the Appalachian territory, I expect the appreciation for this beautiful album will go the distance and travel far. Note: Dreaming Still by Kathryn Kaye is listed at #1 in the ZMR top 100 Radio Chart for January 2011. Congradulations Kathryn!
Visit kathrynkaye-music.com to sample. Purchase at her CDBaby.com page & Amazon.com page.
Photo courtesy Delanda Licata. Cover art courtesy Robert Kooken.
Uplifting Music of Marc Enfroy & 2002
When you unite the Cinematic Piano talents of award winning Marc Enfroy with the production abilities of Billboard-charting musicians 2002, the conclusive result is a work of music bound to be a success. Arriving with this creative transformation in contemporary instrumental music is the impression a new and innovative sound entity has just been born.
Marc Enfroy has released his third Cinematic Piano album Unconditional, and the newly formed alliance with Randy and Pamela Copus of 2002 certainly does deliver a rather unique chord in piano and Contemporary Instrumental fanfare. Already admired for their singular inspiring melodies, the union of their two unique styles into one creation of beauty is exemplary.
Marc Enfroy’s music career had first emerged after the death of his sister Suzanne Whiting to cancer, but it was from this profound loss his progressive music legacy arose. Finding his inspiration in memory of Suzanne, Marc proceeded to compose music for the senses just like a painter would use brushstrokes to fill in the empty spaces on white canvas, and as it turned out, Marc indeed has the gift of a true artisan.
His Solo Piano debut Unbounded acquired Best Neo-Classical award in the ZMR Lifestyle Music Awards in 2008, and Best New Artist nomination. Awakening was the second colorful music portraiture, with classic orchestrations by Janet Sullins on violin, Jack Chen on flute, and vocals by Jillian Aversa. Awakening was also an award finalist which aired on many popular Internet radio stations worldwide.
Unconditional will be unveiled to the public when released on March 1 2011. The 10 song classics display Contemporary Instrumental orchestrations and fine piano detailing expertly blended with flute, strings, bell tones and chorales, with admirable performances by Jack Chen on flute and Pamela Copus on vocals.
If you are familiar with both Marc Enfroy and 2002, then you can imagine this new arrival in Cinematic Piano, Instrumental and celestial soundscapes is the ultimate music experience. While I can only speculate on the success of this, or any album, I can give you the assurance Unconditional is a passionate creation and absolute beauty that was empowered by design to take flight, in uplifting music made to celebrate life.
Visit marcenfroy.com to sample / purchase or Amazon.com page. Visit Randy & Pamela Copus at 2002music.com.
Cover art courtesy Marc Enfroy.
2002, Marc Enfroy | Leave a commentLively Music Rhythms on Moondancer
Steve Orchard is a New Age musician from the UK releasing the third album from his Dancer Trilogy Series. With this sequential album, a bold and thoughtful design in dancing rhythms, along with lively choreographed melodies entice ones imagination exactly like the first and second in series were envisioned.
Moondancer is the conclusive result in his highly imaginative Dancer Trilogy Series, reaching a point where it couldn’t get any better than what I have heard so far with the first two. Then again, it becomes clear Steve reaches for the stars on the rhythmic dancer series featuring earthly qualities of rain, sun and moon elements.
Steve Orchard from Bristol, England is quite masterful at producing electronic instrumental music composed with improvised mood sensations and a progressive repertoire of lively rhythms. If you have read our interview or earlier album reviews you know that Steve Orchard is a prolific singer songwriter having composed and performed original music for many years on guitar, mandolin, and harmonica, various skin drums, piano and keyboards. His music was featured on BBC Radio, film scores, local radio jingles, plus Steve was a band member in 100’s of concert venues and a recognized soloist in South West & London England during the 1990′s.
Drawing inspiration from the natural environment, Steve’s first in series Raindancer is based in a tropical soundscape where beautiful South American rhythms are explored with flutes, panpipes, acoustic guitars, keyboards percussion, and a wonderful array of elements by synthesizer.
Sundancer is an emblematic second album in Steve Orchard’s Trilogy Series, and like the first album, the second reflects rare qualities of relaxing yet energetic melodies that I felt achieve universal appeal. In fact the energetic symmetry, illuminating atmosphere and Island music impression did help propel Sundancer to the eighth award winning position in our NewAgeMusic.nu Best Albums Awards for 2010.
Moondancer is the twilight and glowing counterpoint keeping well in contrast to the first two albums, but I do want to point out that Moondancer is far from being a boring or lull you to sleep album. Here again you will find radiant melodic imagery right beside a natural and reposeful atmosphere, and this is where an emphasis on the dancer suffix comes into play.
Counting Stars begins the twilight sequence of the series with a light keyboard melody set in a deeper background and like Apollo’s Return, mysterious imagery is not the prevalent consequence with this first song, or the entire album as a whole. Moondancer is carried out with a deeper contrast in style as the moon prefix implies, yet is very complimentary to the first two albums sunnier atmosphere so you will find this album preserves many of the same rhythmic qualities which are an integral part of the entire dancer series.
The three songs Phases & Tides, Nebula and Grimaldis Comet help make the distinction clear since bongo drums and other percussion enhancements gently counterbalance deeper keyboard tones, infusing shades of light which in turn introduce a more illuminating atmosphere. The soft flute melody in moderately timed Nocturne creates an interesting contrast when combined with the twinkling effect by keyboard. Lost Contact has a deep futuristic feel by the dreamy keyboard and synthesizer tones while Earth Glue adheres to the counterbalance theme by a wood flute melody with percussion woodblock, but intermittent chanting does convey a strong tribal influence too.
NewAgeMusic.nu & NewAgeMusicWorld.com feature many outstanding musicians who are all are capable of producing mood elevating music to either help you relax and unwind, brighten your day or even inspire you by notes that seem to dance. The Dancer Trilogy Series from Steve Orchard is an all-inclusive colorful kaleidoscope of vibrant melodies, and this latest is no exception. It is lively music rhythms in step with a wonderful radiant design.
Visit steveorchardmusic.co.uk to sample / purchase the album or visit MG Music to sample / purchase and then read our interview and album reviews on our pages dedicated to Steve Orchard.
Moondancer cover design copyright David Orchard. Big Stock Photo – mpemberton.
Inspiring Piano & Instrumental Music
Even if the holiday celebrations of Christmas and New Years are behind us now, one contemporary composing pianist has an important message to share having equal relevance to the honorable offerings of peace and harmony we celebrate during the close of one year and the hopeful new beginning of another, arriving just in time for Valentine’s Day.
Evan Wish is a classical trained concert pianist from Encino California with a new release titled; Forget-me-not, blue. Incorporating the spoken words of honorable Nobel Peace Prize recipients, and like their principled humanitarian message of peace and hope, Evan Wish gives a heartfelt message of peace and hope, told by his beautiful design in inspiring contemporary instrumental music having a classic touch.
Evan’s contemporary classic Solo Piano debut album titled Lullaby Of Love acquired the number 3 position in global charts, and remained in the Top 10 position for three months and the Top 100 for 6 months, earning a NARAS consideration for a Grammy Nomination for 2005 in the Best New Age Album of the Year category on his original composition. Evan travels and performs concerts in Europe, and does television, film, and theatre production writing, and is an active ASCAP & ACF member, plus you can find his music on Syndicated, Public, and College Radio Stations, along with AOL, Music Choice, Live 365 and numerous others.
Forget-me-not, blue has 10 songs of Contemporary Instrumental bliss with 5 Solo Piano pieces and 5 piano with string ensemble of violin, viola and cello. Together in unison Evan Wish delivers gently contemplative and some inspirational songs while sharing the message of peace and hope in a positive upbeat manner. Recent recognition for Forget-me-not, blue is the # 3 chart success for December 2010, in ZMR’s Top 100 Radio Airplay Chart listings.
In a universal message of harmony in tune with a multitude of people who share the same beliefs and ideals, the song What will man’s legacy be is the heart of the humanitarian side of this project. Here you will find past Nobel Peace Prize recipients incorporated spoken words of Mahatma Gandhi, Mother Theresa, and Martin Luther King are included, along with Native American reciting, an Israeli singer and ethnic percussions.
Forget-me-not, blue is a true achievement after many years as a Canadian born and educated pianist, beginning his first music instructions at age 7, where his gift as a pianist became apparent as a young adult which then led to formal studies at the Conservatory of Music institute in Canada where he won first class honors among many talented competitors.
In addition Evan attended the prestigious Dick Grove School of Music in Los Angeles and received tutoring from top composers in the entertainment industry. His unique gift at an early age was discovered thankfully, and those early formative years were the strong foundation for his composing skills. Today Evan has achieved international recognition while performing worldwide for the past 25 years.
The Solo Piano and strings ensemble songs each retain their individual merits of quality, and Evan performs on a Bosendorfer Grand Piano, widely accepted as a fine tonal instrument which transfers a pianist musical arrangement with warmth and clarity. When touring the Provence region of France, Paris, or the French Riviera, Evan Wish is often publicized as “The Passion of a Romantic” and you will find his Solo Piano and Instrumental release with ensemble allows one to hear his passionate work as others have discovered for themselves. In recent news, Evan has just returned from Cannes, France while attending the Midem 2011 Music Conference, meeting with music companies and industry leaders, in addition to performing an exclusive solo concert.
While peaceful ambassadors of our past have arrived to us in the form of an ideological leader, an advocate for the poor and a nonviolent civil rights crusade of another, the beautiful Solo Piano and strings instrumental expressions from the heart of Evan Wish constitute a gallant and notable gesture too, arriving in a truly inspiring manner sure to be embraced by all.
String orchestration by Marcy Vaj (violin) Robin Ross (viola) Vahe Hayrikyan (cello). Engineer/Co-produced by Peter Granet.
Visit evanwish.com to sample / purchase or visit his CDBaby.com page & Amazon.com page.
Photo courtesy John DeCindis
Celestial Music of Paul Sills
Composing musician Paul Sills of the United Kingdom has a celestial New Age album composed from a brand new viewpoint in his already skillful approach to celestial music. It now appears Paul has taken his newest arrangement to the next level, and like earlier perceptive albums, Devas – Natures Spirit becomes his third release that in no shape, form or fashion could ever be termed commonplace.
Devas – Natures Spirits is the third great album written, performed and produced by MG Music label artist Paul Sills and by all accounts, Devas is a thoughtful departure from his second Walking Across Heaven release which created a beautiful sound sanctuary where instrumentals of piano, flute, acoustic guitar, and distant choral vocals rose to transform each song into one having an anthem like quality.
Paul Sills is a long standing MG Music Label artist and representative member of the Medwyn Goodall circle of friends, highly revered for their outstanding music and singular expression each label artist is known for producing, and now he has proven this to be true for the third time around.
Astral Doorways was Paul’s imaginative first endeavor exploring the divine and surreal side of music. All three are powerful albums, symbolic of the outer confines in synthesized ambient music that simply become a natural choice for those who love a memorable journey into the vast territories of electronic resonances that reside in a deeper realm in relaxing music.
Paul Sills and I had a recent interview and insightful discussion together on his early music career and life at MG Music, so I hope you will want to find out more about Paul at our websites. Many visitors know I have published reviews on both of his earlier albums essentially because I enjoy listening to his intensely divine brand of electronic music that consistently has a dreamy keyboard based melody and prominent celestial atmosphere.
Devas – Natures Spirits with 12 songs total is precisely what I had anticipated and had hoped to experience from this Medwyn Goodall label artist recognized for producing Electronic ambient music that is by definition, wonderfully unique and singular in style when placed alongside many of his counterparts in the electronic music category.
First song Sacred Waters is the gentle inception to a deeper Dolphina, where piano and percussion reproduce the Paul Sills expressive touch many of us have come to appreciate. Tidal sounds mark the gentle layering of acoustic guitar strums mixed with piano intervals in Memories Of The Ocean and the steady piano rhythms mixed with dreamy electronic modulations on Footprints In The Mist are likewise a wonderful reflection.
A Sketch Of Spring contains a truly exciting transformation in composition which originates with the lighter melody before a keyboard sequence modification in the arrangement reveals a fascinating cascade of piano runs and half step key changes in both lower and upper octaves, modifying this piece into one of majestic design.
Choosing a broad pathway along his journey in nature inspired celestial music, this release from Paul Sills rests at a comfortable plateau in ambience, where deep orchestrations incorporated with light melodies and rhythms admirably blend into a pleasingly dreamy atmosphere. Paul by definition, has created a deeper realm in sound, far beyond the commonplace methodology in what we regularly hear and experience from top producers of celestial music.
Visit the MG profile page for Paul Sills to sample / purchase and our page dedicated to Paul Sills.
Picture copyright Big Stock Photo – zootog
Yanni Truth Of Touch album review
Chances are everyone reading my pre-release Truth Of Touch album review today is well acquainted with the man we identify simply as Yanni, and if you are like most people you can vividly recall the very first time you viewed a televised Yanni concert. Now, can’t you just remember the exhilaration you felt while watching this charismatic gentleman touch the lives of people from all nationalities with his music ?
Truth Of Touch is truly a passionate reflection of what Yanni does best which is create a personal interaction with an audience through his extraordinary music abilities, and just like those powerful memories of yesteryear the close societal bond is shared by virtue of his magnificent studio version of 15 songs with an over hour long symphony of refined harmony.
Truth Of Touch is a Contemporary Instrumental & Electronic arrangement likewise creating a genuine fascination for a multitude of people by being an original composition and direct expression from Yanni himself. This enthusiasm is not surprising since his last original arrangement Ethnicity from 2003 happens to be an excellent and successful album so it may explain why Truth Of Touch is so highly anticipated among his enthusiastic fan base, along with a vast multitude of people searching for outstanding music that greatly surpasses the everyday ordinary.
Yanni is conceivably the greatest influential musician of our time, and while his exceptional abilities as a gifted composer and keyboardist by themselves are a valid testament to his universal appeal, when you factor in the remarkable musicians and vocalists by his side and personal “One World, One People“ vision, the collective inspiration he creates pay tribute to a universal and heartfelt music experience.
Yanni Live at the Acropolis began his historic rise to stardom and likely the first time you witnessed his grand entrance onto the world stage since 500 million people from 65 countries have viewed this top fundraising program for PBS. The album sold 7 million copies worldwide and the music video sold over 1 million copies to become a top selling music video, second only to the Thriller Video by the late Michael Jackson.
If you regularly watch the Olympic Games then you know his music scores are presented during international television broadcasts of the Olympic Games since 1988. He has 35 platinum and gold albums internationally and received 2 Grammy Nominations in the Best New Age Album category, for In My Time and then Dare to Dream, but perhaps of greater importance to Yanni himself are his fans, since after a temporary departure Yanni made a celebrated return to concert tours and producing music due in part to the personal letters from his dedicated fan base requesting encore performances.
In fact his global presence has remained strong following earlier days where over 2 million people in more than 20 countries attended a Yanni concert, some of which were held in culturally significant locations like the Tribute Concert venues held at the Taj Mahal in India & The Forbidden City in China, where viewership reached a television audience of 250 million people.
Truth Of Touch can be defined by the Contemporary Instrumental, Electronic and Cinematic influences, but what makes this new release special like earlier albums are a wide array of influences, crossing over into Popular, New Age and World music domains. Truth Of Touch ( Title Song ) begins a memorable introduction to a lavish cascade of midrange keyboard and string sequences set in time to energetic orchestration crescendos and intense timpani drum beats, giving you your first positive affirmation this is indeed an authentic composition from Yanni. The boldly decisive first song is satisfying to the senses by the majestic intonation, just like the reverberation keyboard melody united with higher octave twinkling notes heard in Echo Of A Dream.
Seasons has a lighter keyboard sequence at the onset, changing in dramatic fashion during every refrain by articulated electronics, strings and xylophone notes. Backed by rhythmic heartbeat percussion, Seasons progresses into a heartening song of inspiration. Voyage is a fine excursion reaching epic qualities at times where the lighter prelude is forerunner to a spectacular sound adventure created by strings and woodwind orchestration. Suspended by steady percussion, the full instrumentation creates a wonderful sensation of depth.
The World ethnicity percussion rhythms and accents with ever changing intervals of harp and cello create a beautiful tribal effect in Flash Of Color, and true again by the voice of a child set in instrumental counter time during I’m So. The finely pronounced orchestra and percussion rhythms are a bold source of vibrant energy presented in the upbeat melodic theme of Vertigo. The vocal melodies with rich orchestrations on Can’t Wait and Secret are definitively two of the more serene songs on the album. Elegant and passionate, the soprano vocalist delivers her romantic lyrics in a graceful emotive voice which is certain to be a popular collection of contemporary songs for many people.
O Luce Che Brilla Nell’Oscurita is exquisitely imaginative given the theatrical piano, light choir and opera concerto in a harmonious adaptation where the tenor vocalist proclaims his warm and moving declaration of sentiment direct from the heart.
Long Way Home has an air of sophistication yet the vigorous piano melody has a peaceful atmosphere at times too, changing from light to more dynamic expressions along the way. Mist Of A Kiss reveals intricate percussion rhythms having a steadfast effect in the timing of piano chord phrasing, like the piano and percussion cadence heard in the song Nine. Yanni & Arturo begins with a light trumpet and piano prelude while transitioning into exuberant poetry in motion when glorious soprano vocals and intricate percussion rhythms set the progressive tempo for an improvisational style trumpet solo during which the highest octave notes are reached then extended with astounding precision and clarity.
Truth Of Touch is a studio composition of pure refinement, giving one a beautiful impression exactly like the inspiring concert recollections of yesteryear. The prodigious caliber of musicians Yanni enlists for his projects is boldly demonstrated on what I feel is his greatest instrumental music composition yet. Perhaps you can tell by now his newest release made me reflect on the personal exhilaration I first felt upon my introduction to his music, and it did inspire me today. With that said, I am certain you too will find the qualities in Truth Of Touch are genuine, unforgettable and yes, simply Yanni !
Visit yanni.com and truthoftouch.com to sample or purchase and read the latest news and concert tour dates in 2011. For pre-release album orders and gift items visit the Yanni Store then read earlier articles on our page dedicated to Yanni.
Photo copyright – courtesy yanni.com. Big Stock Photo copyrights Acropolis – sborisov and the Taj Mahal – pius99.
Interview with Michael Brant DeMaria
On the eve of the Grammy Awards scheduled for February 13 2011, review publicist and interview host John Olsen has just conducted an in-depth interview with award winning composing musician and 2010 Grammy Nominee Dr. Michael Brant DeMaria.
In this second interview with Dr. DeMaria, we present to our visitors defining insight into the life of an esteemed New Age and World influential musician whose music career is very much in the forefront of today’s music scene. In fact, Michael was a recent award recipient here by placing third in our annual NewAgeMusic.nu Best New Age Album Awards for 2010.
John P. Olsen : Thank you Michael for taking time away from your work and agreeing to our interview on short notice. You are a clinical psychologist, recognized poet, author, public speaker, and now a twice Grammy Nominated musician with your 2010 Ocean album currently under consideration. Were you anticipating the Ocean album would be your second Grammy Nomination this year, and with the awards ceremony soon approaching, what exactly are your expectations for winning a Grammy in the New Age category with Ocean ?
Michael Brant DeMaria : First off, I want to thank you John for taking the time out of your very busy schedule to sit down with me as well. It’s always a pleasure to hear from you and I have great respect for the work you do. As always, your question goes right to the heart of the matter. As you know the New Age category is an extremely competitive category. However, in the back of my mind I knew Ocean was number 1 on the New Age chart for 3 months and did win two very prestigious awards, Best Ambient Album of 2009 and Best Relaxation/Meditation Album of 2009. I knew it was possible, but I did not think it was probable. Not only was Ocean competing with luminaries and legends in the New Age world, Ocean happened to be up against albums by Olivia Newton John and Tina Turner who both had their entries in the New Age category this year.
As far as winning, I have no expectations. Once again, the other nominees in my category are true legends in the world of New Age music, Paul Winter, Kitaro, and R. Carlos Nakai. Each of these men have influenced and inspired me over the last 25 years. I am very humbled just to be in their company. At the same time, I try to live by the Samurai warrior saying, “Expect nothing, be ready for anything”.
John : You have studied and performed with friends and past Grammy Winner David Darling, along with Grammy Nominated R. Carlos Nakai. What are your connections with colleagues David Darling and R. Carlos Nakai over the years ?
Michael : R. Carlos Nakai is responsible for me picking up a Native American Flute 17 years ago. I was traveling through Glacier National Park in Montana on my way to enact a very traditional vision quest. I found a copy of Nakai’s Earthspirit and put it in my tape player in the car while I was driving. It was the first time I had ever heard the Native American Flute and it literally brought tears to my eyes. Although I had played piano, synthesizers and percussion most of my life, as soon as I heard the hauntingly familiar sound of the flute I knew I had to play it. When I finally did find one to play – it was like finding an old friend. Years later I joined Nakai’s organization, INAFA, The International Native American Flute Association – and have been a member for over a decade. It was at INAFA conventions in Taos, NM and San Francisco, CA that I finally had a chance to meet and play with him. Not only is he an amazing talent, but a very generous man with his time and knowledge.
Likewise, David Darling’s life, teaching and music have been and remains a very strong influence in my life. I had been listening to his music for many years when I heard about his Music for People program which trains people in the art of improvisation and facilitation. I took my first workshop with him back in 2005 and was immediately hooked. I apprenticed in the program for 4 years and graduated in 2009. In my opinion, he has done more than almost any other musician to teach the finer and deeper aspects of the art of improvisation. He is truly a master in his craft and actually is teaching much more than music – but actually a way of life based upon compassion and creativity. The highlight for me last year attending the Grammy’s as a nominee was having the opportunity to see him win, in person, his long overdue Grammy for his amazing album Prayer for Compassion.
John : I read an article by prominent author and past entertainment editor for the LA Times Richard Rushfield, where he mentions your name when giving his assessment of the 2010 Grammy choices. What was your reaction to his article Handicapping the Grammys : Best New Age Album ?
Michael : To be honest John I was a bit overwhelmed by it. Someone sent me a link to the article and my first thought was, “Boy I bet they don’t even mention me”, being the relative unknown in the category this year. After I read it I was very moved and appreciative of his kind and generous words, particularly about the track Moonlit Sea on my album Ocean. Of course, he admits I am a long shot, but a long shot nonetheless, who he thinks actually has a chance.
John : In your professional life Michael you are an equally devout music professional and psychotherapist. Would you ever consider pursuing one profession over the other at some point in your life, or is it safe to say you are, and always will be recognized as a recording artist and a therapist ?
Michael : You’re not the first who has asked me that question John. For me, an artist does for a culture, what a therapist or healer does for an individual. In this way, I feel they are two sides of the same coin. I also find they inform and balance each other in my life. Composing and writing are very solitary and deeply self-absorbed tasks that can take a lot out of you. After 4 days of that kind of intense work I’m really ready to sit across from somebody and be totally there for them. Of course, after 3 days of really being there for others I’m ready to dive back into the solitude of the creative process. I find one replenishes what the others depletes, like crop rotation – it has been a blessing in my life how they have woven themselves together. Now I don’t know what the future holds – but in some way I will always be active in both – although the format for how that may evolve remains to be seen!
John : Michael, you have already realized many achievements in your life and I wondered if you would answer a more personal question by telling us what is the motivating force in your life ?
Michael : The primary motivating force in my life is love. Love in the sense of what the Greeks called agape – which is a love for life itself and humanity. I love life, I love people, and I love to create. I feel very blessed that I have been given the opportunity to express what is nearest and dearest to my heart. For me, love is about connection – and unfortunately we live in a time where most people feel a profound disconnection from life, nature, each other and even from their own hearts. The Cherokee say our first teacher is our heart – and unfortunately in our culture we leave that teacher far behind too early in our educational system and in our society. It’s very much my mission in my life to bring a bit more heart into the world through my writing, speaking and music.
John : During the past several years your music career has noticeably gained momentum and taken flight so what do you believe are the reasons your music compositions have repeatedly been granted numerous honors and award considerations over the years ?
Michael : You are so very kind John. To be completely honest I really don’t know. What I can tell you is this. My music comes from a very humble and sincere place. When I go into my studio to record I have no interest or desire for any recognition or awards. It’s the furthest thing from my mind. I have no interest in impressing anyone – only in being true to my journey and the experience of the moment. I’m still that 6 or 7 year old boy who went to the family piano to take a sonic adventure – and to help me connect with a greater presence. In that way, it’s a spiritual practice for me. In this way, my albums are all crafted to take the listener on a journey. Each journey actually begins where the last one ended – they build upon each other. In fact, in many ways The River, Ocean and Gaia are a trilogy. They are also part of the larger Healing Sound Project which I have been dedicated to for the last 8 years. It has been a joy for me to see how this music created with the intent of making the world a bit more peaceful, soulful and heartfelt has been embraced so deeply.
John : In our earlier interview everyone had a chance to learn you have donated your time and talents by performing at fund raising benefits and concerts which includes the Gulf Oil Disaster in 2010 so could you tell us about the charity work you have been involved with over the years ?
Michael : I have always felt John that it’s important to give back and whether it has been donating to Native American charities from Siyotanka or wildlife recovery from the gulf oil spill from Ocean, I try to make the project connect to something greater – something more than just about me. I love to play, create and record – so it is simply an added bonus when concerts or albums bring attention to well deserved programs. The world is in a state of great need today – and I believe artist have a unique ability to draw attention to worthy causes. Just as all my albums are concept albums – they are all designed hopefully to teach as well as to be enjoyed for the pure joy of listening.
John : Thank you again Michael for the opportunity to learn more about your amazing career. It has been an honor to get to know you personally while providing coverage of your lifework and career achievements for our visitors. Is there anything you would like to mention before we close ?
Michael : The honor has been mine John. You do a great service to all of us in the New Age music world through your many efforts. I did want to mention I’m working on a new album – I don’t want to say too much about it, and the title is even in flux at this point – but I hope it will be available for release in late 2011. Let us just say that it is a project I’m very excited about and will be another very unique sonic journey for the soul, this time exploring the mystery of creation itself. Thanks again John and wishing you, B.T. Fasmer, and all your readers a happy, healthy and joyous 2011!
Visit ontos.com homepage and then sample / purchase on his albums page and CDBaby.com page or Amazon.com page. Read our prior interview and reviews on our page for Michael Brant DeMaria.
Copyright images courtesy Michael Brant DeMaria.
Contemporary New World Music of Shambhu
When you integrate one proficient acoustic guitarist with select vocalists and instrumentalists, along with the skillful production talents of Windham Hill Records founder and Grammy Winner Will Ackerman, the final product might expectedly turn out to be a top album compiled by dedicated music professionals that virtually everyone would love and appreciate.
Shambhu is the proficient guitarist asserting in his website news pages his first album has truly been a “ labor of love “ while composing, performing and co-producing with Will Ackerman, along with his time spent working beside other top music professionals. This I can believe since at the end of the day, Shambhu and his insightful selection of collaborating musicians has paid off rather handsomely, and by their collective time spent together, have helped convert this debut release into an readily available commodity of premium value.
Sacred Love – Feel The Journey is New Age Fusion, Contemporary Instrumental, and Jazz, having East, West, and World elements which facilitate the conversion of artful melodies into solid gold entertainment that requires only simple involvement for the rest of us to easily acquire the appreciable benefits of this grand endeavor. Sacred Love has already achieved a quantifiable amount of success, where at present Sacred Love – Feel The Journey is # 1 for the month of October 2010 in ZMR’s Top 100 Chart, but I also have a feeling this album will appreciate in value even more over time.
Shambhu is truly an esteemed musician in his own right performing concerts or on albums with top music entertainers like Bob Hope, Carlos Santana, Jon Anderson and on Whitney Houston’s multi-platinum album titled simply Whitney. The long list of talents go on since Shambhu has also been involved in projects with many of the respected musicians I continually write about like Will Ackerman, Jeff Oster, Eugene Friesen, Ann Licater plus many more.
Sacred Love – Feel The Journey on the Acoustic Shine label has an impressive cast and crew since many have toured or recorded with top musical groups themselves. Some of these artists on Shambhu’s album include Tony Levin of Peter Gabriel on bass, Jeff Haynes of Pat Metheny on percussion, George Brooks of John McLaughlin on saxophone, Celso Alberti of Steve Winwood on drums, and Premik Tubbs of Santana and John McLaughlin on flute.
Together is the first of 12 songs total and what a memorable impression it creates. The center stage guitar and violin pairing established securely alongside flute and reflective instrumentation is magnificent, plus it is easy to visualize this song and others in a Cinematic role since the warm, sincere, and dynamic atmosphere echo the characteristic essentials for a multitude of made for the big screen movie settings.
Natural Moment is a warm and casual song that positively takes off and ascends to new heights. First expressed during the initial sequences, xylophone and numerous percussion enhancements become the lively components that merge into a free spirited narrative complete with smooth and graceful electric guitar rhythms which intensify and progress neatly into a picturesque arrangement.
Maiu Breeze is refreshing by exhibiting a jazzy tropical presence. First conveyed by acoustic guitar highlights, the integral xylophone rhythms and harmonious vocals filled with energy and vitality are a natural accompaniment to the guitar arrangement. Together they merge perfectly to bring out the compositional fascination of this album and its entirety, creating a dynamic atmosphere that leaves one with an impression of total harmonic refinement.
This first release by Shambhu will always be termed a debut as one might expect, but when you consider his proficiency as a guitarist, the impressive number of outstanding talents on this extraordinary album, and their combined lifework totaling a significant number of decades as esteemed music professionals, then this masterful first album by Shambhu truly does amount to a rewarding and appreciable “ labor of love. “
Full musician credits are Eugene Friesen – cello, Charlie Bisharat – violin, Ravichandra Kulur – flute, Michael Manring – bass, Jill Haley – English horn, Claytoven Richardson – lead vocal, Jeff Oster – flugelhorn, Noah Wilding – vocals Todd Boston – sarod, mixed and engineered by Grammy Award winning Corin Nelsen.
Visist shambhumusic.com to sample / purchase or at his CDBaby.com page and Amazon.com page.
Big Stock Photo – rkasprzak
Great Ambient Music from Paul Avgerinos
Some love relationships begin with an introduction or the sparks may have ignited after that first gaze into someones eyes. Regardless of how it began, if a relationship progresses into something special it may lead to the divine word we call love, and while there are no definitive set of rules governing love the first attraction determines a lot about what happens next.
Grammy Nominated Paul Avgerinos from Redding Connecticut happens to have a new release called Law of Attraction that his prodigious fan base is certain to fully embrace with open arms, and do so without hesitation. I would imagine this great ambient album will also succeed at winning over many new fans for Paul Avgerinos, new fans who will go directly to the heart of his widely popular Round Sky Music website to hear for themselves, so for some of you, let me be the first to introduce you to this award winnng musician.
Paul Avgerinos has based the Law of Attraction theme in regards to authors Esther and Jerry Hicks and their bestselling self-help books, but after listening to his thirteenth album I discovered Paul Avgerinos Law of Attraction has such a pleasingly rich sensation of expressive delights, I just had to respond myself by concentrating more precisely on the fine melodic wonderment and charismatic appeal of this sensational new release, which if it was a library book, Law of Attraction would certainly be shelved in the romantic therapy section.
Law of Attraction is after all quite compatible or along the same wavelength with his prior Love album, which is another positively feel good release with a passionate and dreamy intonation paired to the divine word we call love. The Love album did after all achieve a desirable level in 2009 by 2 nominations at ZMR which included Best Relaxation / Meditation Album.
Law of Attraction is an exciting fusion of New Age Ambient and World Music styles from the Middle East and India, and of the many earlier releases that garnered success, this album has the instrumental music essentials to his earlier award winning Garden of Delight.
Paul Avgerinos further album awards do include Garden Of Delight which won Best World Album in 2007 and notable Gnosis had 5 Best of nominations total, while winning the Best Relaxation / Meditation Album award category in 2006. Muse of the Round Sky which made the airwaves on over 2000 radio stations worldwide was the great ambient album that first introduced Paul Avgerinos as a top artist and Grammy Nominated musician.
Paul Avgerinos has composed the 10 songs, performing on bass violin, Fretless bass, 12 string & nylon guitars keyboards, vocals, percussion and sound design. Kevin Braheny Fortune playing Electronic & Classical flutes, and Steve Gorn on Bansuri flute join Paul, as do the 7 essential talented musicians I have credited below.
This group blends vibrant instrumental fusion into an intricate musical project fascinating for the senses to behold like heard in Gentle My Love & Ask and It Is Given which are deep, exotic, and mesmerizing. You will find every song holds a diverse kaleidoscope of elevated ambience, but these two songs in particular are quite unique from anything I had ever heard before since multiple guitars and ethnic vocals infuse a sensual calm and steadiness to where they seem spellbinding or even hypnotic at times.
The Vortex is another picturesque song that intermingle keyboards, guitars and lyric less vocals into wonderful patterns that are like a magnet by attracting you into a beautiful sound adventure made for the senses. Follow Your Passion & Art of Allowing are two songs showing ingenious geometrical patterns of his Ambient music, and like Law of Attraction ( Title Song ) they have gentle curved surfaces free of any abrupt edges or distant note to note sound plateaus leading to nowhere. If one was to compare the textural sensations of touch to this release, it would be smooth as silk and you will see what I mean when you sample this perceptive new release.
It is pretty easy to fall in love with Paul Avgerinos music whether you have been officially introduced or not, and you may be interested to know that in addition to his eloquent skills as a composing New Age musician he has worked on over 100 television and film projects. Paul was also the primary bass player for The Hong Kong Philharmonic Orchestra and toured with many Popular, Contemporary, and Jazz groups over the years, having been involved with numerous Platinum album productions while collaborating with popular music acts Aerosmith, Jewel, Run DMC, Willie Nelson and Deana Carter.
Credits and your introduction to the additional musicians are Trina Basu on Violin, Brahim Fribgane on Oud, Rafiq Khan on Indian Sarangi, Rohin Khemani on Tabla & other percussions. Steve Waite on 12 string & electric guitars, Christine Yandell on vocals and Malika Zarra on French & Arabic vocals.
Visit roundskymusic.com to sample / purchase or go to his CDBaby.com page & Amazon.com page. Find out more on our pages dedicated to Paul Avgerinos.
Big Stock Photo – SSilver
New World Flamenco Jazz of Tomas Michaud
New World Flamengo Jazz is a music category some may not be familiar with, so if you can imagine a sunny tropical atmosphere with an oceanfront setting and gentle tides splashing against the shoreline you begin get the picture. When you combine this sensational imagery with exotic melodies and glowing rhythms you are all set for a beautiful day of fun in the sun.
Tomas Michaud from Alameda Californiahas accurately termed the phrase New World Flamenco Jazz and this precise terminology tells a lot, but more importantly it is about the sensations you feel and the affirmative imagery acquired from his world blend of contemporary instrumentals and Latin acoustic guitar designs in new World Fusion music. These elements are also the fine attributes that create a new category of music from his various contemporaries like Ottmar Liebert, Govi, or Johannes Linstead.
Tomas Michaud defines his unique singular style in World Fusionhaving the fundamentals of Nouveau Flamenco, New Age and Smooth Jazz, but with Latin and South American rhythms that embrace Middle Eastern and Spanish music, along with Caribbean and Mediterranean harmonies. This may sound way too complex, and I am sure it is for the guitarist, but for any music aficionado it translates into charismatic melodies that turn an empty white canvass into a masterful portrait complete with colorful designs that are pleasing to the heart and mind of a broad audience.
Drawing his harmonious inspiration from Central and South American travels, the lengthy list of beautiful travel destinations recited on this album include Spain, Portugal, Mexico, Colombia, Peru, France, Costa Rica, Guatemala, and Singapore. Knowing his lengthy list of travel destinations across many continents and categorical guitar inspirations, then the terminology of New World Flamenco Jazz is definitely an accurate description.
Beauty and Fire has 12 original compositions by Tomas Michaud and it becomes clear his precision Flamenco styled performance on nylon – string guitar is a leading component of professional beauty, but the distinguished musicians in accompaniment is another attractive element that makes this album flourish.
Beauty and Fire ( Title Song ) is an adventurous retreat into paradise by a peaceful East meets West cultural blend and this first song does make a meticulous statement about his singular New World Flamenco style with marvelous certainty. Two Hearts Into One & Night Into Day are pleasingly balanced by relaxing melodies, along with another elaborate reflection in the moderate timed but equally rhythmic Embrace In The Mist & Morning Grace.
Tango In Paradise has deep melodic strides with tantalizing refrains while Gipsy Heart is quite breezy by the casual atmosphere an of accentuated guitar strides shared with violin. Living On The Wind retains a wonderful fascination by the amicable melody that can also be identified by an air of lively sophistication set in motion by magnificent guitar and piano rhythms backed by light instrumentals with plenty of quality percussion accents.
Thomas Michaud has a singular music style is a point I wanted to make today, so when selecting your album purchase at music outlets and you don’t find a New World Flamenco Jazz category try searching under New Age, World, Flamenco, Jazz, or Contemporary Instrumental sections. That is until the day retail outlets introduce a fun in the sun music category.
The musicians joining Tomas Michaud on Beauty and Fire are Don Turney on Grand Piano and keyboards, David Margen on Bass and Kai Eckhardt on Fretless Bass. Strings include Lila Sklar on violin and Michael Knapp on cello with Aharon Wheels Bolsta on Tabla and Thomas Perry, Celso Alberti, and Brian Rice on percussion.
Visit the worldmelodies.com website to sample / purchase or visit his CDBaby.com page and Amazon.com page.
Album art courtesy Elena Ray. Big Stock Photo copyright ersler.
Al Conti’s New World Fusion in Northern Seas
Al Conti is a name many recognize in U.S. and international audiences as a composing musician having a natural ability for producing some of the most vivid story based music in the New Age & World genres and for those who are wondering, his ability to intermingle exciting tales of intrigue into each of his award winning projects originates from life experiences and global travels.
Northern Seas is the fourth narrative from Al Conti that made a grand impression on me after hearing this new release for the first time. On Northern Seas the ancestral homeland and Nordic heritage of Scandinavia is the theme presented in a manner you will find intensely glorious regardless of your own family coat of arms since the perceptions in imagery and rich instrumental landscape valiantly hold the high ground on this resolute masterpiece.
Al Conti has a long family legacy himself arising from a extensive linage of expressive artisans, and in addition to his popularity as a top musician, Al Conti is an performing actor, having made television appearances during shows of the acclaimed CBS daytime drama As The World Turns, commercials, and films in addition to stage theatre productions in the United States and overseas.
Al Conti’s first albums were Shadows & Poeta and third release Scheherazade from 2008 was a landmark award winning release that resided at the top of ZMR charts for 3 consecutive months, and then received 4 ZMR Lifestyle Music Awards nominations including Album of the Year. Scheherazade then sailed among the clouds to secure the Best World Album of 2008 and is played on many satellite and cable channels including Sirius / XM and Music Choice in addition to reaching high watermarks in global radio charts. Northern Seas at present has reached # 2 in ZMR’s Top 100 chart for October 2010.
Northern Seas is a fascinating mixture of New Age & World Fusion with a Celtic inscription on several of the 11 tales of intrigue recounted from the long ago days of antiquity. The indigenous folklore of Norse mythology brought to light by Al Conti is a melodious one indeed, telling of Norsemen during a time of Viking sovereignty in the Scandinavian nation. Treading a deep imprint on each tale, every single song is crisp, clear, and refreshing as if detailing the pristine landscape and panoramic mountain vistas by the deeply spacious tonal qualities.
Northern Seas ( Title Song ) has a thunderous opening with an aura of mystery by the piano melody but the free spirited rhythms by flute and violin illuminate the first waterscape images and swiftly place you into the forged from fire and ice Nordic landscape. Light lyricless vocals portrays an invigorating atmosphere which greatly changes what could have been pictured as a cold dreary day into one filled with deep but breathtaking rays of shrouded sunbeams. Long drawn out colorful vocals are another positive element dominating an ambient grounded Veil of Mist.
Song of Rig & Valkyrja are adventurous melodies featuring the ancient and exotic instruments used in this albums production. Al Conti is proficient on a wide range of instruments and on Northern Seas he and contributing global talents create the unique feel of ambience using ancient and exotic instruments like kantele, harp, hurdy gurdy, pump organ, accordion and tribal drums melded with modern time instruments of piano, violin, cello, acoustic and electric guitar.
Odin The Wanderer is notably mysterious but also carries a palate full of vibrant hues much in part to the charismatic melody and choir that is lightly comingled with alluring violin and accordion tracings. Two flute melodies with a Celtic essence are the vigorously paced Dans for Loki and then free flowing The Rainbow Bridge. Piano and accordion merge in the light song Baldur and the time honored instrument when united with piano turn the tides of time to create an aesthetically pleasing old world essence.
Ragnarok has a penetrating melody and light percussion rhythm of true enchantment. This graceful new dimension in elaborate instrumentals of piano, harp, flute, and accordion constitute smooth verses in unison with a light choir while transitioning into a breezy reflection well in harmony with the chosen Nordic folklore theme.
Al Conti has crossed yet another threshold with this exciting new release having every telltale sign of award winning success given his intriguing music portraiture of Scandinavian countries centered by Norway, Denmark, and Sweden. The majestic highlands, islets, and fjords bordering the Barents, Baltic, and Norwegian Seas have now become the phenomenal harbor setting for this striking new album christened Northern Seas.
Visit alconti.net to sample / purchase or visit his CDBaby.com page and Amazon.com page.
Album art courtesy Elena Ray. Picture copyright Big Stock Photo – galdzer.
Classic Orchestra Music of Olympus
I know for a fact many people who visit NewAgeMusic.nu & NewAgeMusicWorld.Com are presently, or have been a musician in an orchestra or choir at some point in their lives like myself and while the majority of us chose a direction other than the life of a musician, many of us can recall the days when we pursued music with true passion.
Kelly Andrew ( Kaveny ) from Denver Colorado may have begun his early career performing orchestra music like a lot of us but this is where the similarities end, and after you listen to the classic symphony music Kelly Andrew has created the comparison will become even more noticeable. Kelly Andrew has made a successful impression by release of Olympus, an exciting debut complete with full orchestrations that boldly recreate a music symphony the majority of us had only dreamed of producing.
Olympus is his New Age, Contemporary Instrumental, Symphonic release expertly joined with electronica and digital effects well suited for the Cinematic & Soundtrack fields of music. In addition, this Epic release is so perfectly aligned for movie scores by the full symphony sound it may even inspire those with prior orchestra experience to snap open their instrument cases, prepare by tuning and begin practicing warm-up scales!
Kelly Andrew is a classically trained composing pianist and may have released Olympus as his official first album but in fact he is also known for creating a wider array of music with over 15 years of producing his signature series of music, having composed, arranged, and produced over 35 original singles of which some songs were performed by the University of Colorado choir and more is planned for release in the near future.
Olympus has some of the finest orchestrations I have heard recently and since the 12 tracks of classic symphonic music has contemporary instrumentals from every section backed by full percussion, I believe Olympus is a classic symphony that will stand the test of time over the years. Those who have in the past or currently sing in a choir will admire the lighter chorales in Aphrodite which together build momentum and crescendo with a full arrangement of brass and strings.
Percussionist will recognize the full symphony complexity of Apollo, and like many songs the resounding rhythms by timpani drum with cymbal crashes on cue are the outline for a full brass section of French horns, trumpets and trombones evoking a majestic theme. Hera is comparable by this vibrant transfer of stateliness except woodwinds take center stage by a warm melodic theme among brass refrains, and likewise with song Athena.
Demeter has a comprehensive orchestra setting with woodblock claves and many enhancements that inscribe bold accents to the entire symphonic atmosphere, so again those who have played percussion in the past should notice the chimes, triangles, and assortment of drums like timbales and congas do create much of the excitement in this piece.
Artemis begins with complete strings section of violins and cellos before woodwinds join in a nicely united countermelody. Soprano and tenor vocals impart a large amount of theatrics by chorus refrains which fashion an interesting contrast, especially when a full brass section of Flugelhorns, trumpets and trombones enter with rich solid tones. Hephaestus begins with a light strings segment before flutes, clarinet and additional woodwinds of oboe and piccolo supplement the song structure with breeziness while an elaborate choir enters during later measures.
Poseidon is dramatic by the intensity and depth beginning with a prominent choir during the early measures. Electric guitar runs are a clear distinction apart from the rest and although it may appear less customary in a symphonic atmosphere, the electric guitar lead create a grand opus with every carefully assembled instrumental note blending together decisively.
Olympus is a symphony of exceptional quality and true excitement many will recognize and it really won’t matter whether you have prior experience for you to fully appreciate this release from Kelly Andrew, but for those who have played a musical instrument in an orchestra or sang in a choir expect to be reminded of an earlier time in life when playing music was your one true passion.
Visit kelly-andrew.com website to sample / purchase Olympus or visit his CDBaby.com page or Amazon.com page.
Picture Copyright BigStockPhoto – yuyang
New Flamenco Music of Luna Blanca
Luna Blanca is a prominent Nouveau Flamenco ensemble from Bocholt Germany that has perhaps become the celebrated toast of the town in another part of the world by naming their latest Contemporary Instrumental album after a beautiful region of Southeastern France, amidst the countries of Italy and Spain, with a seaside boarder along the glistening coastal waters of the Mediterranean Sea.
Provence is the name of this admirable new release by Luna Blanca, along with the region of Southeastern France highly prized by a warmer climate, gourmet cuisine and regional quality vineyards, creating the picture-perfect setting for Luna Blanca’s new release that greatly succeeds at intertwining these luxurious qualities of refinement into their own creation of beauty.
Luna Blanca selected the nearby locality of Provence for a good reason since many famous authors, poets, and painters like Vincent van Gogh & Pablo Picasso had acquired inspiration for their artistic masterpieces. After reading more about this region of Europe it became clear to me why Luna Blanca members regularly travel to Provence for their creative inspiration, and it appears everything was well designed during their masterful adaptation.
Luna Blanca is prevalent on an international level and where founding lead acoustic guitarist Richard Hecks, first trained in classical music initiated his crossover to New Flamenco and began writing the vibrant original compositions we hear today. Helmut Graebe is a principal member with spirited piano and organ rhythms and on Provence, Hecks and Graebe each had an equal hand in composing their parts, along with the instrumental compositions of talents Bino Dola on rhythm guitar, Clemens Paskert on bass, percussions, and added keyboards. Juan & Carolina provided some vocals and guest musician Uwe Gronau is featured on two songs playing organ and accordion.
First song Driving sets the contemporary surroundings in motion for this pretty as a postcard destination in Nouveau Flamenco music and where everyone will be able to perceive their picturesque connection to the region of Provence during the first few measures. Colorful in every way, Driving like each of the 12 songs are unique by their united but singular identity.
Gipsy & Francoise exemplify this changing diversity since each have passionate melodies and charismatic rhythms which vary noticeably but interblend conclusively from song to song, representing one of many progressive attributes of this album in entirety. Mistral has a fascinating groove based melody with organ and keyboards exhibiting many fine upbeat runs in parallel time with exciting acoustic guitar rhythms.
Café has a tantalizing setting by trumpet and accordion refrains among progressive guitar and piano melodies which introduce an alluring arrangement to the surroundings. Sunset & La Maison Bleue likewise have great instrumentals plus the dynamic percussion rhythms heard on every song do more than merely lay the timing foundation for band members to build their melodies upon, so it is quite noticeable the percussion contributions are a lively component into the complete note by note Nouveau Flamenco atmosphere.
Crème Brulee is an inviting song given the serene impression and one that resembles Siesta, where moderately timed guitar melodies with piano accompaniment establish a comfortable mood of relaxation while conveying a fine impression akin to white tablecloth elegance and the accordion composition in Camargue introduces an elevated amount of European ambience by the intriguing sentiment.
Rosé is a song named after the house wine regularly served with the cuisine at local cafés and proportionate to the regional vineyards and fields of lavender, Rosé is an aromatic song for the senses too and while presented in more moderate time, the guitar and piano melodies fluently bring a fragrant bouquet of light ambience to the table.
Cote d’Azur is a majestic song finely poised by graceful half step guitar chords and piano counter melody which paint a romanticized picture of the French Riviera, concluding this song with the sound of coastal waters moving across the Mediterranean seashore, and with everything considered I wonder if anyone could ask for anything more.
Provence by Luna Blanca is an exciting new release, where admirable guitar and keyboard melodies express an anytime occasion for celebration. Together in unison, every member gives a brilliant performance and the spirited festive theme this new release portrays has the perfect entertainment setting. Casual and inviting by an open air sensibility, the members of Luna Blanca deserve every glass to be raised high in a toast of salutation. Cheers !
Visit lunablancamusic.com to sample / purchase. You can also visit their CDBaby.com page or Amazon.com page.
Cover art copyright Anke Baugatz – Picture Copyright BigStockPhoto – klenova
Sample the album here:
Inspiring Music of Heart Strings by Steven C
Steven C is an acclaimed composing pianist recognized by many for his inspirational piano and orchestral music having a graceful vibrancy that gently touches the inner spirit in a mindful way, and while music in all forms reaches out for some level of emotional response in each and every one of us, music that inspires while moving the inner spirit is perhaps the greatest of all.
Heart Strings is the current release by Steven C. Anderson and one highly regarded in the music industry as the greatest of every release he has produced so far. After listening to Heart Strings for myself, I felt you too will find this refined beauty a classic portrayal of popular music in harmony with finely tuned orchestrations a moving and inspiring one. In fact there is a good chance many of you have already heard and felt the majestic scores of Steven C in television programing.
The true sincerity of his efforts as a musician happens to be a matter of record since the recordings and live performances of this St. Paul Minnesota resident have already been presented on The Today Show and Oprah Winfrey, along with PBS, QVC, and the Discovery Channel, so chances are everyone will have another opportunity to hear his television productions again in the near future.
With over 2 million units sold, Steven C has also performed with top artists Mannheim Steamroller and his presence on digital music programming and broad radio audience includes Music Choice, in addition to over 150 radio stations worldwide. Another source of recognition is the earlier Solo Piano release Signature which made a number 2 debut on the ZMR New Age Charts in 2008.
Heart Strings has several fundamental components which nicely enhance the energetic structuring and vibrant resonance behind this unique project having the sustenance to brighten your spirits every single day. One being the original 15 piano melodies composed and performed by Steven C on a Bosendorfer Grand Piano was combined with the prestigious London Symphony Strings Orchestra with additional strings provided by Brigid McCarthy and Michelle Kinney.
If the admirable inclusion of the classic London Symphony Strings Orchestra is not enough assurance to inspire and warm your heart, there are the dynamic elements of Grammy Award winning arranger, orchestral conductor, and Mannheim Steamroller band member Arnie Roth, with additional contributions from Andrea Bocelli, Charlotte Church, and Mannheim Steamroller founding leader Chip Davis.
In another fact of distinction, the piano and orchestrations in Heart Strings were recorded in London England at the renowned Abbey Road Studios, where a countless number of beloved musical greats like Cliff Richard, Pink Floyd & The Beatles have performed their cherished classics in studio. Just like the music icons before him, the same innovative recording techniques were used to enhance and achieve the noticeable audio refinements on this uplifting instrumental classic by Steven C.
Heart Strings is an extraordinary project given the instrumental enchantment it conveys. Moving by expressing a highly sought after level of emotional content for the listener, this vibrant album has the power to transport the inner spirit onward for a multitude of people, effectively inspiring each and every individual response along the way.
Visit the stevencmusic.com website and then sample / purchase on his albums page or visit his CDBaby.com page. Steven C also offers the unique services of personalized custom piano music for your wedding, anniversary, or special occasion. Find the details on his custom music page.
Picture copyright BigStockPhoto.com – jgroup
New World Music of Gaia
Planet Earth from the beginning was destined to be one of our greatest mysteries, where every life form and those yet to be discovered remain more dependent on our mysterious world rather than this blue planet would ever depend on us. Simply put, we know Earth can survive without us and in fact our present day endeavors to save the world is a statement equivalent to saying hey everyone, let’s save ourselves !
Michael Brant DeMaria, PH.D, is a clinical psychologist, lecturer, and award winning musician from Florida with a revitalizing new concept album honoring our shared heritage with the Earth by the World influences in Gaia, an innovative and exceptional brand new release in his widely acclaimed Ontos Healing Sound Project.
Gaia is essentially the achievement of over 25 years in personal and professional research by Michael into the fundamental principles of auditory healing techniques. His New Age Ambient release The River began the first origins of the Ontos Project while leading to the Healing & Meditation release Ocean, which remained at number 1 for 3 months on the charts then ended the year 2009 with ZMR’s Best Ambient & Best Relaxation Album Awards.
Ocean and was first conceived to help hurricane survivors begin anew and return to a more peaceful existence, but then after the 2010 Gulf Oil Disaster, Ocean became a second symbol of recovery since Michael donated his time performing concerts around the Gulf Coast Region, along with donating a portion of sales proceeds for the still ongoing wildlife recovery. I was pleased to learn Ocean is currently under consideration for a Grammy Nomination in the New Age category.
Gaia is a serene excursion into the Ontos Healing Sound Project by the directive of Michael Brant DeMaria. Therapeutic by a graceful vibrancy that effectively renews the inner spirit akin to The River & Ocean; the innovative World inspirations found in Gaia heighten these emotive sensations of calm and well-being while ascertaining our undeniable relationship with planet Earth.
Siyotanka is the story based narrative and soundtrack score that secured a Native American Music Award ( NAMA ) in the Native Heart category, and then lead to his Grammy Nomination for Best Native American Music Album, along with winning the Best Native American Album at year ending ZMR Music Awards for 2009.
Gaia has every hallmark for success since nearly every album produced by Michael Brant DeMaria has earned awards and respect from those in the music industry, and rightly so. Michael’s music, books, art, and poetry have acquired recognition in the U.S. along with international acceptance in Australia, Europe, and Russia, having touched many lives with his universal message.
Third in the Ontos Healing Sound Project Gaia is based in part on the Greek Goddess Gaia, along with esteemed Earth Scientist Dr. James Lovelock’s Gaia Hypothesis, whose research studies in planetary exploration while at NASA led to his famous Gaia Hypothesis theory which interprets the Earth we share as one cohesive, single living organism.
Gaia ( Title Song ) is the musical genesis of 14 tonal poetries and sound prayers traversing many nations and cultures, opening with a lighter piano melody, where World and Native American wood flutes in amended resonance on every song begin their ethnic exploration and develops into a wonderful first prelude to the ever changing stages in this moving expedition. Anima Mundi tells of an emergent period and where Michael uses his voice as a human instrument to speak for the ancestors of our past. The surreal Alchera features Australian ( didgeridoo ) wood flute instrumentals and vocal exhalations to denote the Earth as a single living entity of magnificent beauty.
Asase Yaa, with qualities of African rhythms and Amazonia, with South America textures are together moderate in rhythm, having various world flute instruments and percussions unifying each melody, even during the deep mystical atmosphere of Ja’neba . The silk road to China is traversed by highly symbolic gong strikes in Xiaolin, along with Chinese flute ( Xiao ) in akin song Kuan Yin with traditional (Yueqin ) strings instrument dramatizing the orient with vibrancy.
Gentle imprints of Japan are represented by bamboo flute ( Shakuhachi ) and the gentle breeziness of wind chimes leave fine impressions in Zazen & Tarani, likewise revealing Michael’s fine transition in World music personified on Gaia, along with the notion that our enduring heritage of dependency we share with planet Earth will always be just a simple fact of life.
Visit ontos.org to sample / purchase or visit his CDBaby.com page or major music outlets. You can visit his michaeldemaria.com blog and there is a recent interview with Michael and I along with my reviews of his award winning albums on our pages dedicated to Michael Brant DeMaria.
Picture copyright Big Stock Photo – Shutter
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