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Love Songs & Ballads by Asher Quinn

Asher Quinn is a singer songwriter from the United Kingdom who has devoted much of his adult life to writing music, and what passionate music he has created while securing a significant position in the genre! His Love Theme Ballads, Folk Melodies and Contemporary Instrumentals, united with romantic and poetic lyrics, placed him in a unique class in the field of New Age music years ago, just as his more Mainstream Progressive Ballads and Spiritual Love Songs continue to inspire today.

Falling Through Time is the 2011 release which reintroduce his unique abilities as a splendid lyrical songwriter and vocalist without rival. Possessing the heart and mind of a true poet, Asher assimilates his rare abilities and divine lyrical aptitude directly into his melodic love songs, which often exemplify a spiritual atmosphere. To me, his lyrical ballads of praise and adoration, for which he has become famous, are highly prized by their gentle and forthright emotive charm.

Asher Quinn, who released his first New Age chart-topping album Open Secret back in 1987, followed with other chart-topping releases Mystic Heart, Wings of Fire & Concert of Angels, under the name first of Denis Quinn, and then Asha. Some of his compositions have been used in film soundtracks, and with over half a million album sales to his credit, Asher Quinn continues to be a popular and incomparable one of a kind artist in the New Age music genre.

Falling Through Time features 9 original compositions, 6 traditional ballads and a cover version of This little bird first made famous by Marianne Faithfull, and was recorded and co-produced with sound engineer Shaun Britton at his studio in Fareham, Hampshire, UK. On this album, Asher delivers lead vocals and contributing artists include Kristian Biddiss on lead and Spanish guitars, along with supporting female vocalists Jaba and Jimena Larraguivel.

Asher Quinn’s music is released on his new independent Singing Stone Music record label. In addition, song lyrics for the CD album are printed in a handsome cover booklet, plus lyrics for every release are available on his website lyrics page. Two of my favorite songs from Asher are Free Yourself & Love’s Philosophy.

While love songs and folk ballads have been a source of creative inspiration for popular musicians in a variety of genres, this is a rarity concerning artists within the New Age music category. In every respect, Asher Quinn’s newest album continues his enduring legacy for producing top quality music in a wide variety of styles, which brings forth a newfound sense of admiration for his compositions you will indeed find glorious and inspiring.

Visit asherquinn.co.uk to sample / purchase or at his CDBaby.com page. Then visit his official YouTube Channel .

Cover artwork courtesy Emoke Labancz – emokelabancz.com.

Billboard Chart Musicians; Blackmore’s Night

Blackmore’s Night newest release called Autumn Sky is a #1 Billboard Charting album off to a very strong start, especially when you consider Autumn Sky acquired the #1 position on the Billboard New Age Charts upon its debut in January, 2011. This legendary renaissance inspired New Age and Folk Rock touring band has a long history for producing top of the chart and award winning instrumental melodies over the course of many years, and there is no end in sight.

Ritchie Blackmore & Candice Night are the Grammy Nominated, award winning musicians that make up the core essence of Blackmore’s Night and 7 member troupe on Autumn Sky, who wear renaissance attire of centuries past while performing at concerts, fairs, and festival events.

Ritchie Blackmore is a legendary guitar player who has made progressive transitions in music having been a long standing band member of Deep Purple and then founder of the band Rainbow. Candice Night is an instrumentalist and the group’s songwriter, whose voice and lyrical point of view is one of enchantment while singing in the forefront on Blackmore’s Night albums.

Blackmore’s Night 2011 release Autumn Sky accentuates these elegant vocals delivered by Candice, along with both ancient and modern instrumental fanfare for which they are famous. Here you will find more traditional instruments of keyboards, violin, woodwinds, acoustic and electric guitars are melded with old-world instruments like hurdy-gurdy, chanters, mandolin, vintage percussions, and woodwinds.

The international success for Blackmore’s Night is not a fairy tale. The exclusive musical focus they have engraved for themselves has resulted in an enormous following in North America, South America, Europe and Japan. Their melodies have gained crossover prosperity by the enchanting lyrical vocals and fascinating instrumental music that often contains metrical structures dating back to the seventeenth century.

Blackmore’s Night prior album Secret Voyage is another recent achievement, likewise debuting at #1 on the Billboard New Age Chart where it remained for four consecutive weeks. In addition Secret Voyage continued to remain on Billboard’s Top 10 Chart for a remarkable 72 weeks. Secret Voyage is another great album with a more mystical feel. The song Rainbow Eyes, which is one of my favorites, is a fine version of an earlier cover song from the band Rainbow.

Charting on Billboard is a good way to measure the accomplishments of any group, but what makes Blackmore’s Night a true winner is their consistent ability to create transcending music which varies with every album they produce. This renaissance inspired band which transports progressive music into contemporary times is a model for success. Past, present and future.

Blackmore’s Night touring band consists of Ritchie Blackmore, Candice Night, Bard David of Larchmont, Gypsy Rose, Earl Grey of Chimay, Squire Malcolm of Lumley and Albert Danneman. Note; Blackmore’s Night has been listed in the top 10 on Billboard’s New Age chart for the past 8 consecutive weeks.

Visit blackmoresnight.com to sample / purchase or visit their Amazon.com page. Check the latest news and tour dates then visit candicenight.com for more info on this amazing group of musicians. 

Cover art courtesy Jeff Pickett-Pickett Productions.

Yanni Truth Of Touch album review

Chances are everyone reading my pre-release Truth Of Touch album review today is well acquainted with the man we identify simply as Yanni, and if you are like most people you can vividly recall the very first time you viewed a televised Yanni concert. Now, can’t you just remember the exhilaration you felt while watching this charismatic gentleman touch the lives of people from all nationalities with his music ?

Truth Of Touch is truly a passionate reflection of what Yanni does best which is create a personal interaction with an audience through his extraordinary music abilities, and just like those powerful memories of yesteryear the close societal bond is shared by virtue of his magnificent studio version of 15 songs with an over hour long symphony of refined harmony.

Truth Of Touch is a Contemporary Instrumental & Electronic arrangement likewise creating a genuine fascination for a multitude of people by being an original composition and direct expression from Yanni himself. This enthusiasm is not surprising since his last original arrangement Ethnicity from 2003 happens to be an excellent and successful album so it may explain why Truth Of Touch is so highly anticipated among his enthusiastic fan base, along with a vast multitude of people searching for outstanding music that greatly surpasses the everyday ordinary.

Yanni is conceivably the greatest influential musician of our time, and while his exceptional abilities as a gifted composer and keyboardist by themselves are a valid testament to his universal appeal, when you factor in the remarkable musicians and vocalists by his side and personal “One World, One People“ vision, the collective inspiration he creates pay tribute to a universal and heartfelt music experience.

Yanni Live at the Acropolis began his historic rise to stardom and likely the first time you witnessed his grand entrance onto the world stage since 500 million people from 65 countries have viewed this top fundraising program for PBS. The album sold 7 million copies worldwide and the music video sold over 1 million copies to become a top selling music video, second only to the Thriller Video by the late Michael Jackson.

If you regularly watch the Olympic Games then you know his music scores are presented during international television broadcasts of the Olympic Games since 1988. He has 35 platinum and gold albums internationally and received 2 Grammy Nominations in the Best New Age Album category, for In My Time and then Dare to Dream, but perhaps of greater importance to Yanni himself are his fans, since after a temporary departure Yanni made a celebrated return to concert tours and producing music due in part to the personal letters from his dedicated fan base requesting encore performances.

In fact his global presence has remained strong following earlier days where over 2 million people in more than 20 countries attended a Yanni concert, some of which were held in culturally significant locations like the Tribute Concert venues held at the Taj Mahal in India & The Forbidden City in China, where viewership reached a television audience of 250 million people.

Truth Of Touch can be defined by the Contemporary Instrumental, Electronic and Cinematic influences, but what makes this new release special like earlier albums are a wide array of influences, crossing over into Popular, New Age and World music domains. Truth Of Touch ( Title Song ) begins a memorable introduction to a lavish cascade of midrange keyboard and string sequences set in time to energetic orchestration crescendos and intense timpani drum beats, giving you your first positive affirmation this is indeed an authentic composition from Yanni. The boldly decisive first song is satisfying to the senses by the majestic intonation, just like the reverberation keyboard melody united with higher octave twinkling notes heard in Echo Of A Dream.

Seasons has a lighter keyboard sequence at the onset, changing in dramatic fashion during every refrain by articulated electronics, strings and xylophone notes. Backed by rhythmic heartbeat percussion, Seasons progresses into a heartening song of inspiration. Voyage is a fine excursion reaching epic qualities at times where the lighter prelude is forerunner to a spectacular sound adventure created by strings and woodwind orchestration. Suspended by steady percussion, the full instrumentation creates a wonderful sensation of depth.

The World ethnicity percussion rhythms and accents with ever changing intervals of harp and cello create a beautiful tribal effect in Flash Of Color, and true again by the voice of a child set in instrumental counter time during I’m So. The finely pronounced orchestra and percussion rhythms are a bold source of vibrant energy presented in the upbeat melodic theme of Vertigo. The vocal melodies with rich orchestrations on Can’t Wait and Secret are definitively two of the more serene songs on the album. Elegant and passionate, the soprano vocalist delivers her romantic lyrics in a graceful emotive voice which is certain to be a popular collection of contemporary songs for many people.

O Luce Che Brilla Nell’Oscurita is exquisitely imaginative given the theatrical piano, light choir and opera concerto in a harmonious adaptation where the tenor vocalist proclaims his warm and moving declaration of sentiment direct from the heart.

Long Way Home has an air of sophistication yet the vigorous piano melody has a peaceful atmosphere at times too, changing from light to more dynamic expressions along the way. Mist Of A Kiss reveals intricate percussion rhythms having a steadfast effect in the timing of piano chord phrasing, like the piano and percussion cadence heard in the song Nine. Yanni & Arturo begins with a light trumpet and piano prelude while transitioning into exuberant poetry in motion when glorious soprano vocals and intricate percussion rhythms set the progressive tempo for an improvisational style trumpet solo during which the highest octave notes are reached then extended with astounding precision and clarity.

Truth Of Touch is a studio composition of pure refinement, giving one a beautiful impression exactly like the inspiring concert recollections of yesteryear. The prodigious caliber of musicians Yanni enlists for his projects is boldly demonstrated on what I feel is his greatest instrumental music composition yet. Perhaps you can tell by now his newest release made me reflect on the personal exhilaration I first felt upon my introduction to his music, and it did inspire me today. With that said, I am certain you too will find the qualities in Truth Of Touch are genuine, unforgettable and yes, simply Yanni !

Visit yanni.com and truthoftouch.com to sample or purchase and read the latest news and concert tour dates in 2011. For pre-release album orders and gift items visit the Yanni Store then read earlier articles on our page dedicated to Yanni.

Photo copyright – courtesy yanni.com. Big Stock Photo copyrights Acropolis – sborisov and the Taj Mahal – pius99.

Beautiful Ambient Music of Balligomingo

If you look close enough you can find beauty in all music genres.  With some you have to look a little closer than others, but deep within every genre beautiful music does reside, regardless of your initial impression or what you first hear on the surface.

Likewise, many of our most popular genres greatly influence the atmosphere, tones, and rhythms  of New Age subgenres to help create a perfect balance in modern music by becoming a liberating escape from more traditional forms of Ambient music.

Balligomingo is one artist title where Contemporary Instrumental, Alternative, and Ambient, reveals an effervescent intermingling with New Age.  The album producers Garrett Schwarz on guitar and Vic Levak on keyboard, along with lead vocalist and songwriter Jody Quine, have enlisted guest vocalist Rebecca Ramone on several songs, to create a sensational new vision and exciting unification in ambience you are sure to find enticing.

Under An Endless Sky is the 2010 release by Balligomino via the Chrysalis Music Group.  This current follow up to their critically lauded 2002, BMG / Windham Hill debut album, Beneath the Surface, is another album I was already familiar with years ago and still enjoy today. 

Balligomingo is one artist title where Contemporary Instrumental, Alternative, and Ambient, reveals an effervescent intermingling with New Age.  Their enchanting escape incorporates attractive female vocals, acoustic guitar melodies, and percussion structures that elevate beautiful yet non conforming ambient rhythms.  Rhythms you will find fresh and energizing.

The multinational band membership is based in Canada and the United States, so distances for members are miles apart and uniquely independent since each performer electronically relayed their unhurried contribution to the album’s construction, verses a studio mix.  This approach has noticeably led to a uniform performance of quality from each member, with appreciable care given on each individual musical contribution.

Under An Endless Sky features 12 songs with modern up tempo rhythms and pleasing vocals that easily provide a timely retreat from more traditional New Age renditions, and most importantly, Balligomingo consistently produces beautiful songs New Age and Contemporary Instrumental fans will easily embrace.

Showing a casual atmosphere with every song on the album, Spinning stands out as a modern representation, where guitar and keyboard ensure the surface reflections of light and color while backing alluring vocals contrasting the imagery of the mood with dreamy idealistic lyrics about endless possibilities. 

I Just Tell Myself is an appealing and melodic song that outlines an intimate picture by the rose colored lyrics and resonating guitar rhythms with strong keyboard chords during refrains, likened to the deep synthesizer posturing in A Beautiful Day.

Under An Endless Sky ( Title Song ) Letting Go & New World rely on light and passionate vocals with nicely balanced instrumentals to nurture moderate tempos showing a partisan likeness towards the overall glowing attributes one will experience throughout this entire album. 

Over You illustrates a soulful groove rhythm by acoustic guitar that is soon personified by vocalized countermoves defining the relationship intimacy by lyrical viewpoint, while Goodbye retraces more progressive styled guitar runs.

Sunshine In Rain is a motivating up-tempo song with percussion making the early moves leading into strong guitar chords taking the song in an enthusiastic direction.  Passionate vocals show a harmonic likeness to bright sunshine throughout the song verses, before keyboards ambient chords become the fading clouds while closing out the song.  

 Balligomingo relies much on enthralling and quality rich vocalists to display their picturesque musical surface, with deeper ambient imagery from instrumental and percussion displaying the pleasing atmospheric rhythms that brings everything together.

 You might have noticed Balligomingo has a pretty album cover, but rest assured that the attraction does reside within the packaging.  There you will encounter the true attributes of Under An Endless Sky, along with this striking Canadian and American group that also stands out as a natural beauty.

Additional writers on this album include, Michelle Lewis and Patrick Upton Jr.  Additional acoustic guitar and piano include, Jerry Sintich, Geraldo Dominelli, and Zirque Bonner.

Visit balligomingo.com to sample / purchase then find out more about their performance tours, and read their biography page.  Visit their MySpace page here.

An Interview With Cadence Spalding

We are pleased to announce that an Artist Interview with Cadence Spalding has been set.  This should prove to be an in-depth look at this unique and talented female artist.  Read my The Power of One review of her Save The World album until then.  The YouTube video below features both song and video of the song Trust In Love.  This album is sold as a CD / DVD set and is masterfully produced, displaying her message of love, peace, hope, and strength of a family unit through music.


Interview with Jillian Goldin Aversa

BT Fasmer (*) of NewAgeMusic.nu has interviewed Jillian Goldin about her debut album Origins and the Christmas EP Through Sand and Snow.

* To create a Christmas album is something different from a normal album. Please describe the process. Was it hard to choose which songs to record?

Jillian: Indeed, it was difficult to narrow down the list! I knew that I wanted to try my hand at several traditional carols, but I also thought it would be refreshing to include arrangements of a couple of lesser known pieces – namely Walking In the Air from the wonderful animated film The Snowman, and the Appalachian spiritual I Wonder As I Wander.

Possibly the greatest challenge was figuring out which songs had the potential to work with my original vision: a magical nighttime journey through the wilderness, on Christmas Eve. I was wary of selecting any traditionally happy sounding carols in major keys… But Andrew and I were overjoyed when we started finding inspiration for our arrangement of Silent Night. Everything had to have a certain ancient, ethereal quality.

* The album is only 24 minutes long (23:48 to be precise). Would the album, or EP, have been longer if you had more time to work with it?

Jillian: It’s funny you should ask, because my answer may surprise you: no. I knew that there would not be time for a full length album before the holiday season… So with that in mind, I tried to think of ways I could pull of an EP as a special and cohesive project, rather than a collection of songs thrown together as an afterthought. It was quite fun watching the album take shape! Every sound and musical idea was meticulously planned in order to serve the greater whole, since I knew it would have to be short and sweet.

Don’t be surprised if you see a new holiday album from me in the future, however! There are so many great carols that I would love to get my hands on… and perhaps I’ll write a few original wintry pieces as well.

* After listening to the results of your recent Origins Remix Contest (samples under Media on Jilliangoldin.com), I must say that it was highly successful. How was it to have other artists working with your material?

Jillian: I was blown away by the quality of work submitted to the contest. Hearing my own songs arranged in such original and interesting ways was more delightful than I could have imagined at the outset. I will definitely, definitely have more remixing competitions in the future!

* Today music production is all about computers and sequencers. I understand that you do a lot of the production yourself. Do you enjoy the technical aspects of music creation?

Jillian: It’s sort of a love-hate relationship. Choosing samples, mixing, and mastering is *incredibly* tedious when you are as picky as me, because part of what makes this kind of music sparkle is the production itself. I always have a very specific vision in mind, but translating that into sound is usually a tiring process of trial and error. That’s why I am thankful to have the help of my fiance, Andrew (a.k.a. zircon): he is masterful!

* What can your fans expect from 2009? Do you have a plan for a new album?

Jillian: I hope to release another full length album by the end of 2009, but I haven’t arrived on a concept just yet. Anyone interested in following my progress may want to join the mailing list at Jilliangoldin.com, as I send out monthly updates with song previous and other project announcements.

* Thank you, Jillian. Best of luck with the new album, and have a great Christmas!

You can sample and buy Jillian’s albums, Origins and Thorugh Sand and Snow, on CDBaby.

Read our Through Sand and Snow review here. Artwork by Daniel Kvasznicza.